What many have called the big book of the summer will be released June 8. It is easy to compare Justin Cronin’s 766-page The Passage with Stephen King’s The Stand, Robert McCammon’s Swan Song, Guillermo Del Toro and Chuck Hogan’s The Strain, and any number of vampire novels, post-apocalyptic thrillers and tales about government experiments gone awry. And, although Cronin’s doorstop-sized saga, the first in a proposed trilogy, is far from unique, it is a compelling and addictive read that will keep you up well past your bedtime, and may even affect your dreams once you close your eyes.
FBI agent Brad Wolgast and his partner have been going around the country offering twelve death-row inmates the chance to exchange their imminent executions for becoming volunteers in an experiment at a secret Colorado installation. It is not surprising that all of the criminals accept. Significantly, Babcock, the first murderer on the list, is the embodiment of evil, and Carter, the last, is not only innocent of the crime, but he is a kind, generous and loving soul.
After delivering Carter, Wolgast thinks his job is finished, but, at the last moment, he is assigned to collect one more person. Only this time the subject is not a criminal, but a six-year-old named Amy. Exactly how the government agency singled out this young girl is not explained, but the idea of involving a child severely tests Wolgast’s sense of morality. Nevertheless, the agent does his job.
Roughly, the first third of the book covers the rounding up of the twelve convicts and Amy, explaining what the government is up to, and seeing the whole mess fall apart with world-shattering consequences. The first twelve “volunteers” have been subjected to a virus, transformed into vampire-like beings and escape to pass their disease to others. Amy, too, is changed, but not in the same way. I read up to this point non-stop and was glad for the major shift in the narrative so I could get some sleep.
For the rest of the book, 92 years have passed. A small community survives in the California desert in a walled enclave equipped with powerful floodlights that never allow for darkness and, for the most part, keep the “virals” away. But the batteries that store the energy from wind turbines are dying, and it is only a matter of time before the lights go out.
One day a lone “walker” is spotted outside the walls. Amy has returned to the story. Some bad things happen, and Amy and those who brought her inside the walls are blamed. A few of the residents of the enclave decide that the only way to save the child, their friends and the community is to head to Colorado where all of this started and see if there is anyone left alive who can help them.
Like The Stand, the best part of the narrative is the journey, most of it on foot, as the intrepid band of travelers cross a decimated America and discover that they can trust nothing and no one.
Cronin’s greatest gifts are characterization and description. When certain characters are killed or even die naturally, as they must in a book of this length, it is like losing friends. Readers will feel sympathy for the villains as well as the protagonists, an accomplishment that sets this book apart from most horror novels.
It is easy to visualize the desolation that comes nearly a century after the cataclysm and to see how the earth begins to repair itself after humanity is no longer able to spoil it.
The biggest disappointment I had after finishing The Passage, was simply that. I have to go back to reading ordinary books again. I noticed that I read more slowly near the end to make the book last, but now it is finished. On the positive side, the saga should continue, though the publisher has not announced a date for the next installment.
Mark Graham reviewed books for the Rocky Mountain News from 1977 until the paper closed its doors in February 2009. His “Unreal Worlds” column on science fiction and fantasy appeared regularly in the paper for over two decades. He has reviewed well over 1,000 genre books. If you see a Rocky Mountain News blurb on a book it is likely from a review or interview he wrote. Graham also created and taught Unreal Literature, a high school science fiction class, for nearly 30 years in the Jefferson County Colorado public schools.
I enjoyed the season premiere of Grimm overall. I’m not sure about the new title sequence either I keep skipping the narration. If you hadn’t told the Captain is half hexen beast I wouldn’t have known it. Wasn’t he more fuchbau last season of “foxy” last season? I can’t wait to see what they do with Hank next week cause dude is going to be flying off the rails soon. I wish Once Upon a Time had started already I can’t wait to see what happens next.
Yeah, these two episodes were awesome. I can’t wait to see what happens next!
I didn’t think Nick could save Juliette, which is why Rosalee didn’t think of the pure of heart potion. After all, Renard is from a Royal Family. He is a prince. And who wakes Sleeping Beauty? A prince. Who wakes Snow White? A prince. I think they’re taking that literally. Only a member of the royal family can wake someone from that spell.
After all, Adalind’s mom told Nick’s mom that they couldn’t save Nick, only he (alluding to Renard) can. So I just assumed one had to be a prince, plus pure of heart. So Renard had to take the potion to make magic pure of heartness and wake Juliette, because Nick couldn’t.
See, I immediately thought hexenbeist when Renard morphed, so I thought they telegraphed that one fairly well.
And I get the general fear of memory loss, but I almost always cry foul on magical memory loss after a major character to character reveal. It feels like cheating and being able to wipe the slate clean (if you’ll pardon the phrase) if you screw it up. Just leaves a bad taste in my mouth.
I did like the way they managed to hide Bree Turner’s advanced state of pregnancy… most of the time. There were a few scenes where they thought clothing or angles would hide it, and they were wrong.
Ha! That was a perfect description of the new opening credits. I hope they change it back, lol. Also, when did they elude the captain is a hexanbeast? I didn’t think he looked like that in the transformation and I thought they could only be female anyway.
Thanks for the good summary and review :)
A good start to the season.
The opening credits scream “some network executive didn’t think that the audiance could figure things out or look things up on the web.”
Definitely don’t like the new opener. That tacky voiceover! Oy.
Thought the second half of the two-parter was dull and clumsy. I’m glad Adelind’s mother got taken out, though.
Bittersweet Fountain @3 – Good point re: him being a prince. I guess, though, that with everything on this show being symbolic (after all Nick was the “prince” who had to save Juliette, the “princess” from the dragon in the ep with the daemon fuhrer), an actual prince being needed to resusitate Juliette seemed a bit to on-the-nose. But it’s certainly possible.
Xopher @7 – I just want them to bring Adalind back, and soon! I miss her already! :)
When the show started, I thought it was very clunky and most of all cliche, but I pushed through and it got rather interesting, near the end things got rather tense. It seems to me that S2 kind of starts of clunky as well and weirdly very soapy for only a second season of a show.
Nick’s mother might be written well, but her isnertion into the story is again clunky to me. It seems like the writers of this show are rather new to the whole writing buisness, so it takes a while to get into original premises and interesting character development.
The show is ok, maybe for obvious comparisson – it’s very much below the best of Supernatural, but better than the worst in Supernatural. Comparing the 1st seasons, SN is definitely better.
I completely agree about the new opening sequence. It’s very early Buffy-esque, and it was annoying then, as it’s annoying now. However, that is not my largest problem with the premier of Grimm. Am I seriously the only one who was yelling at Nick not to trust his mom so easily? If I were him, I would not have taken her to the trailer, I would not have shown her where the coins were -much less GIVEN them to her!- and I CERTAINLY would not have shown her the key his aunt told him to hide from EVERYBODY at ALL COSTS. I mean, sure, she’s his mom, but she abandoned him eighteen years ago, shows up out of the blue, attacks his friend, and he just decides to trust her with all his secrets? Come on!
Oh, and as for Captain Renard? I wasn’t sure, but I immediately guessed hexenbeist too, cause of the funky mouth thing.